bhairav - An Overview

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Bhairava is also known as on as protector, as he guards the eight directions in the universe. In Shiva temples, once the temple is closed, the keys are put right before Bhairava.

शूलटङ्कपाशदण्डपाणिमादिकारणं श्यामकायमादिदेवमक्षरं निरामयम् । भीमविक्रमं प्रभुं विचित्रताण्डवप्रियं काशिकापुराधिनाथकालभैरवं भजे ॥३॥

I salute Kalabhairava, the lord of the city of Kasi, Who may have toes adorned because of the shine of gem studded sandals, That is Everlasting and doesn't have any one second to him, Who is our favorite God who bestows anything, Who can take absent the concern of death from individuals, And who grants them salvation by his horrible teeth.

I salute Kalabhairava, the lord of the town of Kasi, Who fulfills dreams in addition to grants salvation, That's well known for his really mien, Who is a type of Shiva, Who loves his devotees, That is the God of your entire entire world, Who assumes various sorts, And that has a golden waist thread, On which jingling bells are tied.

धर्मसेतुपालकं त्वधर्ममार्गनाशकं कर्मपाशमोचकं सुशर्मदायकं विभुम् । स्वर्णवर्णशेषपाशशोभिताङ्गमण्डलं काशिकापुराधिनाथकालभैरवं भजे ॥५॥

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I salute Kalabhairava, the lord of the city of Kasi, Whose lotus like feet is being served by Devendra, Who's merciful and wears the moon on his forehead, Who wears a snake as his sacred thread, Who wears the various Instructions as his cloth, And that is worshipped by sages like Narada.

I obtained this recording from the secondary resource, and don’t know who recorded it…” (n.b. in some way, this is one of only two acknowledged clips of Khan singing Bhairav: with one other staying a brief excerpt of the ‘Karim Rahim Bande Nawaz‘ bandish sung in an job interview with Hafiz Ali Khan)

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देवराजसेव्यमानपावनांघ्रिपङ्कजं व्यालयज्ञसूत्रमिन्दुशेखरं कृपाकरम् । नारदादियोगिवृन्दवन्दितं दिगंबरं काशिकापुराधिनाथकालभैरवं भजे ॥१॥

Bhairav is grave in temper and implies seriousness, introversion along with devotional Mind-set. It shares its notes with Ahir Bhairav that has a sombre temperament.

भुक्तिमुक्तिदायकं प्रशस्तचारुविग्रहं भक्तवत्सलं स्थितं समस्तलोकविग्रहम् । विनिक्वणन्मनोज्ञहेमकिङ्किणीलसत्कटिं काशिकापुराधिनाथकालभैरवं भजे ॥४॥

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Dumaron shehnai (22m): definitely one of several reed learn’s finest recordings, and also a longtime favourite of All India Radio’s morning broadcasts – as per Aneesh Pradhan, “Khan’s presentations are bhairav constantly marked by their shut resemblance to vocal songs: not simply does he include [vocalistic] ornamentations, but he also dwells greatly about the pukaar